Isolated drum track from this play-along.

Jordan Brown speaks with Alice Friedemann in an attempt to introduce her two books When Trucks Stop Running: Energy and the Future of Transportation from 2016, and Life After Fossil Fuels: A Reality Check on Alternative Energy from 2021—both very important works about peak oil, climate change, and…

Jordan Brown speaks with Baroness Susan Greenfield as part of a reflection on his award-winning documentary Stare Into The Lights My Pretties from 2017 for the International Symposium on Technology And Society (ISTAS) in November 2020…

An alternative mix of the track Quorum Sensing for Cultural Memory (Nostalgia of the Young) from the album Some Kind of Anthropocene (2014). This mix has the vocals removed so you can enjoy the instruments, and features a somewhat alternate ending, with live drums.

A creepy audio experiment created during the production of Creeping Normalcy. Also used in a short film sequence called Put It In The Robot.

Zac Shapiro interviews Jordan Brown about his feature-length documentary, Stare Into The Lights My Pretties, for the programme Communication Mixdown on 3CR Radio. The show considers the impacts and consequences of communication events through a critical eye of the increasingly interconnected, multi…

Jordan Brown interviews Heidi Tilney Kramer about her book, Media Monsters—Militarism, Violence and Cruelty in Children’s Culture.

Martin Böddeker interviews Jordan Brown about his feature-length documentary, Stare Into The Lights My Pretties, as part of the Find Focus Podcast series.

A 30-second video short documenting protests in Berlin, against Google and its proposal to overtake a building in Kreuzberg to set up a “Google Campus” as part of the broader gentrification of the city as a new “start-up capital” of Europe.

A short ambient recording created while working on the soundtrack for the Stare Into The Lights My Pretties documentary.

Derrick Jensen interviews Jordan Brown for the Resistance Radio programme on the Progressive Radio Network. We speak about technology and the impact on society as part of exploring Jordan’s new documentary film, Stare Into The Lights My Pretties.

Dissident Island Radio interviews Jordan Brown about his new documentary film, Stare Into The Lights My Pretties.

A noodling ambient guitar piece recorded during the initial sessions for the creation of the soundtrack for Stare Into The Lights My Pretties (2017). Initially unreleased. Unedited.

An ambient piece from the recording sessions for the soundtrack of Stare Into The Lights My Pretties (2017). Used in the film while author Nicholas Carr discusses the impact of screen culture on memory, deep reading, contemplativeness, and critical thinking.

We live in a world of screens. The average adult spends the majority of their waking hours in front of some sort of screen or device. We’re enthralled, we’re addicted to these machines. How did we get here? Who benefits? What are the cumulative impacts on people, society and the environme…

An incredibly short mash-up made in response to the topic of “Sexual Disfunction.” There is a germ of an idea in there about how technology has destroyed physical intimacy through communication at a distance, living vicariously through pornography, and an incessant media culture of spectacle and sim…

Written, performed, recorded and mixed by Jordan Brown throughout the many rooms of a warehouse on Pitt St, Brunswick… Instruments used were real drum kit, real bass guitar, real voice, real upright piano, real guitar with unreal computer wash, no synths allowed…

An old playful title, found in cold storage, hasn’t seen the light of day until now…

A reversed remix of To Know Is Forever Incomplete, a track off Creeping Normalcy.

A short grab from Everybody Watching Everyone Else, a track off Creeping Normalcy.

Remix of the track FAMO by Glass Army from the EP Bios Baby (2006). All original samples, remixed stems. Performed by Alex Bulley, Jesse Bulley and Jordan Brown. Recorded and remixed by Jordan Brown.

Remix of Star for Hire, a track by Glass Army from the EP Bios Baby (2006). Inspired by glitch and the Google book scanning controversy. Contains sampling from the works of Marc Leclair, Brewster Kahle, IJsbrand van Veelen, Tegenlicht, and Alex Bulley, Jesse Bulley and Jordan Brown…

Released 21st June 2016, independently. A record of soundtracks and landscapes centred around the theme of this culture’s addiction to the virtual world while the real world burns, too busy being glued to screens like zombies…

On the last day of 2015, I found myself in the middle of the city of Melbourne, with a camera. What resulted is this film—which I now understand to be some kind of documentary about some of the strangest and subtlest, yet glaringly obvious aspects of this culture that we all find ourselves …

Raw session files from Creeping Normalcy Album (2009), zeroed for your remixing pleasure. All muic/noise/lyrics written, performed, recorded and mixed by Jordan Brown in a house on Forbes St, Carrington NSW over the months spanning May-October 2009…

Reading of the essay Sustainable Development is a Lie by Derrick Jensen for a film project.

Would any sane person think dumpster diving would have stopped Hitler, or that composting would have ended slavery or brought about the eight-hour workday; or that chopping wood and carrying water would have gotten people out of Tsarist prisons; or that dancing around a fire would have helped…

Soundscape featuring mixes from [ the project ] and The Erase Tapes and also new titles.

A track recorded during the creation of Some Kind of Anthropocene (2014). Lyrics adapted from Page 24 of the book Fire and Ice—Disturbing the Comfortable and Comforting the Disturbed While Tracking Our Wildest Dreams by Laurel Luddite and Skunkly Monkly (2004).

A “B-Side” from the recording sessions for Some Kind of Anthropocene (2014).

Sections 0:05:04 The Panopticon 0:09:51 If you’ve got nothing to hide, you’ve got nothing to fear 0:13:12 Surveillance and the unequal relationship of power 0:15:24 Defining the technology, Lewis Mumford 0:16:34 Democratic and authoritarian technic 0:21:52 The computer is an authoritarian technic 0:…

Alternative mix of the track Quorum Sensing for Cultural Memory (Nostalgia of the Young) from the album Some Kind of Anthropocene (2014).

A short timelapse of traffic flows around Sydney, built using stills from surveillance cameras. Offered as not only a comment on the Age of Oil, but also watching the age through cameras and a cool detachment…

Released 5th November 2014, independently. This album was written, performed, recorded and mixed by Jordan Brown over the many on-and-off months spanning May 2011 to September 2014, in the many on-and-off rooms of a former lingerie factory with asbestos roof on Pitt St in so-called …

Reversed recordings of Creeping Normalcy.

A collection of soundscapes and textures.

Released 28 February 2012, independently. All tracks written, performed and recorded by Jordan Brown (various dates and times, locations).

A short social commentary inspired by the reactions on social media to a death in the television series Game of Thrones at the time, meanwhile the real world burns. So which world do we live in and relate to most? The TV world or the real physical world, and our very own lives?

A collection of some previously unreleased recordings from 2003-2012. Notes and info about each track here.

A record containing alternative mixes and versions of recordings from Creeping Normalcy album.

Released 27 July 2007, independently. Written, performed, recorded and mixed by Jordan Brown.

Released 21st December, 2009, independently. All muic/noise/lyrics written, performed, recorded and mixed by Jordan Brown in a house on Forbes St, Carrington, NSW over the months spanning May-October 2009…